In the Central African Republic’s musical landscape, a group emerged in 1982 that would etch its name into the annals of the country’s musical history. Canon Star de Bangui, founded by a coalition of dissident musicians and singers from the Makémbé ensemble, marked a new chapter in the Central African music scene. On November 22, 1982, Bovic, Naïmo, Emmanuelas, Placidie, Manacé, Aby, Mombanza, and Karawa, previously members of Makémbé led by Georges Ferreira, inaugurated Canon Star with a concert that would reverberate through the streets of Bangui.

The birth of Canon Star was not without its drama. The expulsion of Bovic Gazouléma from Makémbé, due to disagreements with its leaders, spurred his colleagues to leave in solidarity. This act of unity led to the creation of Canon Star, a group that would soon become synonymous with innovation and captivating performances. Their debut concert at the ABC dancing hall in the KM5 quarter of Bangui, made possible by the support of Thierry Darlan, former bandleader of Musiki, was a testament to the group’s potential and the magnetic appeal of their music.

Canon Star’s emergence was a shockwave to the established musical order, heralding a new style characterized by the enchanting guitar solos of Mombaza and the rhythmic virtuosity of Karawa, reminiscent of Congo Kinshasa’s Lipua Lipua. The addition of Aby Ngomatéké, a young and talented drummer, further distinguished the group’s unique sound. Bovic’s experience and vocal prowess brought life to hits like “Sanza” and “Lita,” securing Canon Star’s place in the hearts of music lovers across the region.

Karawa’s compositional genius, notably with the masterpiece “Ex – Chérie,” garnered admiration beyond the borders of the Central African Republic, captivating audiences in Brazzaville, Congo. The relocation of Canon Star’s headquarters to the “Ti bè ti mbi” dancing hall in KM5 solidified their bond with the vibrant local community, a connection immortalized in their satirical song “Le KM5.” Through their music, Canon Star addressed everyday life’s trials and joys, weaving moral principles into the fabric of their sound.

The group’s influence soon crossed national boundaries, with tours in Cameroon and Chad in 1987, and further ventures into France in the late ’80s and early ’90s. Despite the eventual relocation to France and the production of albums like “Sacandale” in 2001 and “6ème Sens” in 2003, Canon Star faced significant challenges, including the departures of key members Mombaza and Karawa and the loss of Bovic Gazouléma in 2000. Yet, under the leadership of Aby N’gomatéké, Canon Star persevered, maintaining its essence through decades of change.

Despite struggles with visibility and the challenges inherent in the almost non existant music industry in the country, the group’s story is a testament to the power of solidarity, talent, and the undying love for music that transcends borders and generations. Canon Star de Bangui remains a symbol of the rich musical heritage of the Central African Republic, echoing the spirit of a nation through the universal language of music.